León, España, 1956.
Vive y trabaja en Madrid, España

Cada combate de boxeo es una historia: un drama sin palabras. Las fotografías de Alberto García- Alix también son historias condensadas, narraciones mudas pero elocuentes, imágenes impregnadas de un lirismo desnudo de artificios; poesía que siempre encuentra un lugar en el encuadre donde instalarse: la tensión en el escorzo de una cara, la punta de un zapato, una vagina ensartada, el cadáver de un pájaro, los perfiles difuminados de un edificio… Poesía directa que estalla frente a nuestros ojos con el fulgor de un golpe de látigo.

Luchador vocacional, cuando García-Alix concluye uno de sus gozosos combates con las imágenes, sólo queda un vencedor en pie sobre la lona: su mirada. Una mirada frontal. Una mirada de púgil. Pura épica.

Decantada su técnica hacia una minuciosa utilización del blanco y negro, García-Alix compone su discurso visual de acuerdo con los planos que va dibujando su itinerario vital, planos sobre los que el fotógrafo traza su misteriosa, emotiva y contundente cartografía artística. Un ancho mapa donde figuran objetos y paisajes, fotografías en las que Alberto García-Alix captura los escenarios de su propia biografía: casas, calles, carreteras y caminos que se abren al infinito. Tapias, fachadas y escaparates acotados por el objetivo de su cámara. Espacios abiertos sobre los que su mirada brinca y se hace introspectiva hasta encerrarse entre las cuatro paredes de una escueta habitación.

Si alguien nos pusiera en el arduo brete de elegir uno solo de entre los motivos abordados por García-Alix en su obra, aquel que la compendiara y resumiera en su totalidad, este motivo esencial sería el cuerpo humano: su carne, sus huesos y también la luz que esconden sus entrañas. Y es que al final, de manera ineludible, la pelea queda abocada a un cuerpo a cuerpo de Alberto con la luz.

 

CV

Solo Exhibitions

2015
Rafael Lozano Hemmer: Pseudomatismos, curated by José Luis Barrios, MUAC Museum, Mexico City.
Level of Confidence,The Neon Rex Project, Mexico City.
Rafael Lozano Hemmer: Intervención Literal, Video Régimen curated by Carles Guerrra, Museo Lázaro Galdiano, Madrid, Spain.
Level of Confidence, FOFA Gallery, Concordia University, Montréal
Rafael Lozano Hemmer: Polynomials, Art Bärtschi, Geneva, Switzerland.
Solar Equaction, installation for the 125 Anniversary of the Cathedral tower in Ulm, Germany.
Presentation, Madison Square Park Gala, New York, USA.

2014-2015
Rafael Lozano-Hemmer: A Draft of Shadows,curated by Cecilia Andersson, Bildmuseet, Umeä, Sweden.
Rafael Lozano-Hemmer: Signos e Índices, NC-Arte, Bogotá, Colombia.

2014
Pan-Anthem, Kochi-Muziris Biennale, Kochi, India
Please empty your pockets, National Gallery of Victoria International, Melbourne, Australia
Rafael Lozano-Hemmer: Generadores, NC-arte, Bogotá, Colombia.
Rafael Lozano-Hemmer: Obra Sonora, Carroll/Fletcher Gallery, London, England, UK
Surface Tension 516 Arts, Albuquerque, until Aug 30.
Rafael Lozano-Hemmer: Pulse Spiral, Exploratorium, San Francisco, California, USA
Rafael Lozano-Hemmer: Polímeros, Max Estrella Gallery, Madrid, until Sep
Rafael Lozano-Hemmer: Abstracción Biométrica (curator: Kathleen Forde), Fundación Telefónica, Madrid.
Please Empty your Pockets at “5000 Moving Parts” show, MIT Museum, Cambridge, Massachusetts.
Pulse Room, Monanism, MONA, Hobart.

2013
Rafael Lozano-Hemmer: Vicious Circular Breathing (curated by Kathleen Forde), Borusan Contemporary, Istanbul, Turkey.

2012
Frequency and Volume , San Francisco Museum of Modern Art, San Francisco, California, USA.
Trackers, Fundación Telefónica, Buenos Aires, Argentina.
Open Air, Philadelphia Live Arts, Association for public art, Philadelphia, Pennsylvania, USA
Rafael Lozano-Hemmer: Voice Array, bitforms gallery, New York City, NY, USA.
Rafael Lozano-Hemmer: X no es la nueva Y, Galería OMR, Mexico City, México.

2011
Recorders, Museum of Contemporary Art, Sydney, Australia.
Trackers, La Gaîté Lyrique, Paris, France.
Pulse Spiral, Pei Ling Chan Gallery, Savannah College of Art and Design, Savannah, Georgia, USA.

2010
Pulse Show (curated by: David Familian), Beall Center, University of California, Irvine, California, USA.
Recorders, Manchester Art Gallery, Manchester, UK.
Solar Equation, Light in winter festival, Federation Square, Melbourne, Australia.
Vigilancias Materializadas, Galería Max Estrella, Madrid, Spain.
Vectorial Elevation, Cultural Olympiad, English Bay, Vancouver, British-Columbia, Canada.

2009
Pulse Glow, Pulse Glow Festival, City Hall, Eindhoven, Netherlands.
Recent works, Galerie Guy Bärtschi, Geneva, Switzerland.
Transition States, Haunch of Venison Gallery, New York City, NY, USA.
Levels of Nothingness, Guggenheim Museum, New York City, NY, USA.

2008
Recorders (curated by: Sabine Himmelsbach), Edith Russ Haus für Medienkunst, Oldenburg, Germany.
Body Movies, Quebec City 400th anniversary, Parc de la Cétière, Québec City, Québec, Canada.
Blow-Up Hall 5050 Hotel, Grazyna Kulczyk Foundation, Poznan, Poland.
Body Movies, Te Papa Museum, Wellington, New Zealand.
Frequency and Volume (curated by: Francesco Manacorda and Ariella Yedgar), The Curve, Barbican Centre, London, UK.
Pulse Park, Madison Square Park, New York City, NY, USA.
Pulse Spiral (curated by: Molly Dent-Brocklehurst), Center for Contemporary Culture – Melnikov

Garash, Moscow, Russia.
Under scan, Trafalgar Square, London, UK.
Voz Alta (curated by: Sergio Raul Arroyo), Memorial for the Tlatelolco student massacre, Mexico City, México.
Wavefunction, Kulczyk Foundation, Poznan, Poland.
Rafael Lozano-Hemmer, Haunch of Venison, London, UK.
Rafael Lozano-Hemmer, bitforms gallery, New York City, NY, USA.

2007
Rafael Lozano-Hemmer, bitforms Gallery, New York City, NY, USA.
Some Things Happen More Often Than All Of The Time (curated by: Príamo Lozada and Bárbara Perea), Mexican Pavilion, 52 Biennale di Venezia, Venice, Italy.
Pulse Front (curated by: Gregory Burke from Power Plant), Power Plant, Harbourfront, Toronto, Ontario, Canada.

2006
Under scan, East Midlands Development Agency, Castle Wharf, Nottingham, UK.
Under scan, East Midlands Development Agency, Market Square, Derby, UK.
Under scan, East Midlands Development Agency, Humberstone Gate West, Leicester, UK.
Rafael Lozano-Hemmer, bitforms gallery, New York City, NY, USA.
Body Movies, Museum of Art, HK Arts Development Council, Hong Kong, China.

2005
Under scan, East Midlands Development Agency, Brayford University Campus, Lincoln, UK.
Subsculptures, Galerie Guy Bärtschi, Geneva, Switzerland.
33 Questions per Minute (curated by: Andreas Broeckman), Spots Mediafaçade, with realities:united, Postdamer Platz 10, Berlin, Germany.
Subtitled Public (curated by: Itala Schmelz and Jennifer Teets), Sala de Arte Público Siqueiros, Mexico City, Mexico.

2004
Rafael Lozano-Hemmer, OMR Gallery, Mexico City, México.
Vectorial Elevation, celebrations of Europe expansion, O’Connell Street, Dublin, Ireland.

2003
Relational Architectures (curated by: Priamo Lozada), Laboratorio Arte Alameda, Mexico City, Mexico.
Amodal Suspension, opening project of the Yamaguchi Center for Art and Media, Yamaguchi, Japan. Body Movies, Duisburg Akzente, Duisburg, Germany.
Vectorial Elevation (curated by: Claire Peillod), Fête des Lumières, Place Bellecour, Lyon, France.
Rafael Lozano-Hemmer, bitforms gallery, New York City, NY, USA.

2002
Body Movies (curated by: Eddie Berg and Lewis Biggs), Liverpool Biennial, Williamson Square, Liverpool, UK.
Two Origins (curated by: Marta Gili), Printemps de Septembre Festival, Place du Capitole, Toulouse, France.
Vectorial Elevation (curated by: Juan Guardiola and Javier González de Durana), Opening project of Artium, Basque Contemporary Art Museum, Vitoria-Gasteiz, Spain.

2001
Airport Cluster (curated by: Pat Binder), Foto/Graphik Galerie Käethe Kollwitz, Berlin, Germany.
Body Movies (curated by: Alex Adriaansens and Andreas Broeckmann), Cultural Capital of Europe Festival, V2 Grounding, Rotterdam, Netherlands.

1999
Vectorial Elevation, Zócalo Square, Mexico City, Mexico.

1997
Re:Positioning Fear (curated by: Charlotte Pöchacker), 3rd Internationale Biennale Film +Architektur, Graz, Austria.

1992
On the Same Hand but in a Different Vein, Galerie Stornaway, Montréal, Québec, Canada

Selected Group Exhibitions

2015
Pan-Anthem, Kochi-Muziris Biennale (curator: Jitish Kallat), India
Luminous Flux, Art House, Santa Fe, USA
Seismoscope drawings, DAM Gallery, Berlin, Germany.
X is not the new Y, RCAA exhibition, Beaux Arts des Amériques Gallery, Montréal
Fiducial Voice Beacons, permanent installation, Information Age Gallery, Science Museum, London.
Last Breath: Omara Portuondo, GG Awards show, National Gallery of Canada, Canada.

2014-2015
Surface Tension, 1+2 Colección Jumez in Dialogue with Lowe Art Museum, Miami, USA.

2014
Seeing through Light: Selections from the Guggenheim Abu Dhabi Collection, Mnarat Al Saadiyat, Abu Dhabi, United Arab Emirates
Performance Review print, at “Portrait”, TrépanierBaer Gallery, Calgary, Canada.
Sphere Packing: Górecki at Kulczyk Collection, Fundación Banco Santander, Madrid, Spain.
Last Breath at “1+1=1”, Musée des Beaux Arts, Montréal, Ontario, Canada.
Performance Review print “Identity Control”, Vadehra Art Gallery, New Delhi, India.
Zero Noon and Performance Review, //the_ART_of_DATA, MCA, Boulder, Colorado, USA.
Third Person at “Permission to be Global” MFA Boston, Boston, Massachusetts, USA.
Close-up and The Year’s Midnight, Canada Council for the Arts, Ottawa.
The Years Midnight at Digital Revolution Group show, Barbican Centre, London, UK
Articulated Intersect at DarkMOFO Festival, Hobart, Australia

Pulse Room at Passion, Reason and other delights Group show, Musée d’art contemporain, Montréal, Canada
Third Person at Permission to be Global Group show, MFA Boston, USA
Last Breath at When Collections Collide group show, Musée des Beaux Arts, Montreal, Canada
Last Breath: Omara Portuondo at 0 to 60 group show, Pratt Gallery, NYC, USA
Third Person at Permission to be Global group show, CIFO, Miami Fl, USA
Please Empty Your Pockets at INTER(IN)VENCAO, ZKM group show, Fundacao Eugenio de Almeida, Evora, Portugal
Pulse Room, installation at the The Red Queen group show, MONA Museum, Hobart
Please Empty Your Pockets at 5000 Moving Parts group show, MIT Museum, Cambridge

2013
0 to 60: The Experience of Time through Contemporary Art, North Carolina Museum of Art, Raleigh, NC, USA
Viral (curated by: Asher Remy-Toledo), Art Museum of the Americas, Washington D.C., USA.
A different Kind of Order: The ICP Triennial, International Center of Photography, New York, NY, USA.
Inner Journeys, Maison Particulière Art Center , Brussels, Belgium.
Emplezando Mundos, Primera Bienal del Sur en Panamá, Panama City, Panama.
ABC : MTL, Canadian Centre for Architecture, Montréal, Québec, Canada.
Desplazamientos, FEMSA collection group show, El Instituto Tamaulipeco para la Cultura y las Artes, Matamoros, Mexico.
Volume: Hear Here (curated by: Christof Migone), Justina M. Barnicke Gallery, University of Toronto, Toronto, Ontario, Canada.

2012
Unsaid/Spoken (curated by: José Roca and Moacir dos Anjos), The Cisneros Fontanals Art Foundation, Miami, FL, USA.
FEMSA “desplazamiento de Arte Moderno”, Museo Reyes Meza, Nuevo Laredo, Tamaulipas, México
Son et Lumière (curated by: Chieko Kitade), 21st Century Museum of Contemporary Art, Kanazawa, Japan.
Field Conditions (curated by: Joseph Becker), San Francisco Museum of Modern Art, San Francisco, CA, USA.
Transverso: Instalaciones y nuevos medios en Iberoamérica (curated by: José Manuel Noceda and Orlando Britto), Instituto Valenciano de Arte Moderno, Valencia, Spain.
Ruhr Triennal (curated by: Heiner Goebbels), Urdaibai Park, Bochum, Germany.
Urdaibaiarte (curated by: Alberto Sánchez Balmisa), Urdaibai Park, Urdaibai, Basque Country, Spain.
Play with me (curated by: Cecilia Fajardo-Hill, Idurre Alonso and Selene Preciado), Museum of Latin American Art, Los Angeles, CA, USA.

Zones of Contention (curated by: Xandra Eden), Weatherspoon Art Museum Greensboro,Greensboro, NC, USA.
Focal Points: Art and Photography (curated by: Tim Wilcox), Manchester Art Gallery, Manchester, UK
Museo Nacional de Bellas Artes, The Cisneros Fontanals Foundation Collection, Havana, Cuba.
The Eleventh Bienal de la Habana (curated by: Ibis Hernández), Havana, Cuba.
Migration, ARNDT, Sydney, Australia.
WBA3: Architecture in the Expanded Field (curated by: Dr. Ila Berman and Douglas Burnham of envelope A+D), Wattis Institute of Contemporary Art in San Francisco, San Francisco, CA, USA.
Time-Lapse, (curated by: Irene Hofmann), Site Santa Fe, Sante Fe, NM, USA.

2011
No, No, I Hardly Ever Miss a Show (curated by: Anna Tomczak and Stanislaw Welbel), Zacheta National Gallery of Art, Warsaw, Poland.
The space between now and then, Galería OMR, México City, México.
Decode, digital design sensations, Design Museum Holon, Holon, Israel.
Machina, Medium, Apparatus (curated by: Karla Jasso), Laboratorio Arte Alameda, Mexico City, México.
Seeing/Knowing, Graham Gund Gallery, Kenyon College, Gambier, OH, USA.
Resonance: Looking for Mr. McLuhan (curated by: Berta Sichel), Pratt Manhattan Gallery, New York City, NY, USA.
Espectros (curated by: Honor Harger and José Luis de Vicente), Arts Santa Mònica, Barcelona, Spain.
AA2 Exhibition, AKC Medika Gallery, Zagreb, Croatia.
Triennale Québecoise 2011 (curated by: Marie Fraser), Place des Festivals, Musée d’art contemporain de Montréal, Montréal, Quebec, Canada.
Rewriting Worlds: The 4th Moscow Biennale (curated by: Peter Weibel), Moscow, Russia.

Global Contemporary (curated by: Peter Weibel), ZKM Museum of Contemporary Art, Karlsruhe, Germany.
Borusan Contemporary, Perili Köşk, Istanbul, Turkey.
Drawing in Relation, DNA Gallery, Berlin, Germany.
Freedom to Create, The National Museum of Bosnia and Herzegovina, Sarajevo, Bosnia and Herzegovina.
interconexiones 2000-2009: Arte contemporáneo en la Colección FEMSA, Colección FEMSA, Pinacoteca Diego Rivera, Xalapa, Veracruz, Mexico.
Non-site, Centre for Contemporary Art, Ujazdowski Castle, Warsaw, Poland.
Laboratori d’Interacció. Els sentits de les màquines (I/O/I), Disseny Hub IDAT, Barcelona, Spain.
Entreprise collective (curated by: Nicolas Mavrikakis), Espace Création, Loto-Québec, Montréal, Québec, Canada.
Freedom to Create, Galerie Mirchandani + Steinruecke, Mumbai, India.

Objects of Change, Article 25, London, UK.
Al calor del pensamiento, obras de la daros latinamerica collection (curated by: Katrin Steffen), Sala de Arte de la Ciudad Grupo Santander, Boadilla del Monte, Spain.
Storefront Spring Benefit, Storefront for Art and Architecture, New York City, NY, USA.
Open House: Singapore Biennale 2011 (curated by: Matthew Ngui, Russell Storer and Trevor Smith), Singapore Art Museum, Singapore, Singapore.
Decode, digital design sensations, Garage Center for Contemporary Culture, Moscow, Russia.
Extimidad (curated by: Pau Waelder), Es Baluard Museum, Palma, Spain.
Monanism (curated by: Delia Nicholls), Museum of Old and New Art, Hobart, Tasmania, Australia.

2010
Hyperlinks: Architecture and Design, Art Institute of Chicago, Chicago, IL, USA.
2010 Freedom to Create Prize, Cairo Opera House, Cairo, Egypt.
Decode, digital design sensations, Central Academy of Fine Arts Museum, Beijing, China.
Art star IV video biennale, Saw Centre, Ottawa, Ontario, Canada.
Glow, Santa Monica Beach, Santa Monica, CA, USA.
ShadowDance, Kunsthal KAdE, Amersfoort, Netherlands.
archiTECHtonica, Colorado University Art Museum, Boulder, CO, USA.
Trayectos: paisaje y memoria. Arte contemporáneo en la Colección FEMSA, Centro Cultural de Chiapas Jaime Sabines, Tuxtla Gutierrez, Chiapas, Mexico.
Intensif-Station, K21 Ständehaus, Kunstsammlung Nordrhein-Westfalen, Düsseldorf , Germany.
Open this End, Expo 2010, Shanghai, China.

Volta Basel, bitforms gallery, Basel, Switzerland.
Raum für Raum, K21 Ständehaus, Düsseldorf, Germany.
20 ans déjà, Galerie Guy Bärtschi, Geneva, Belgium.
Optimismo Radical, Josée Bienvenu Gallery, New York City, NY, USA.
Trayectos: paisaje y memoria. Arte contemporáneo en la Colección FEMSA, Planetario Villahermosa, Villahermosa, Tabasco, Mexico.
OMR Gallery, Mexico City, México.
Atopia (curated by: Josep Ramoneda e Iván de la Nuez), CCCB, Barcelona, Spain.
Gala Benefit, Storefront for Art and Architecture, New York City, NY, USA.
InTERvenciones (curated by: José Roca), Valparaiso, Chile.
Sculpture as time, Art Gallery of Ontario, Toronto, Ontario, Canada.

2009
Extra-Muros (curated by: Alain Mongeau), Mutek Festival 10th anniversary, Red light district, Montréal, Québec, Canada.
Art & Electronic Media (curated by: Edward Shanken), bitforms gallery, New York City, NY, USA.
Being in the World (curated by: Berta Sichel), The Cisneros Fontanals Foundation in Miami, Miami, FL, USA.
Decode, digital design sensations (curated by: Louise Shannon and Ligaya Salazar), Victoria and Albert Museum, London, UK.
Emergentes (curated by: José-Carlos Mariategui), Telefónica, Santiago, Chile.
Enter Action-Digital Art Now (curated by: Gitte Orskou, Anne Sophie Lossing, Pernille Taagaard Dinesen and Anne Sophie Witzke), ARoS Aarhus Kunstmuseum, Aarhus, Denmark.
Hundred Stories about Love (curated by: Chieko Kitade), 21st Century Museum of Contemporary Art, Kanazawa, Japan.
Inpoliticos (curated by: Laura Bardier), Palazzo Art Napoli, Naples, Italy.

Open Space (curated by: Yukiko Shikata), NTT InterCommunication Center (ICC), Tokyo, Japan.
Socially Active (curated by: Rachael Baum, Vivian So Hyun Choi, Helena Copsey, Sue-Na Gay, Grace Zihua Lu and Sara Taylor), University Gallery, University of Essex, Colchester, UK.
The World is Yours (curated by: Anders Kold), Louisiana Museum, Copenhagen, Denmark.
Un Mundo Feliz (curated by: Rewell Altunaga), 10th Bienal de la Habana, Havana, Cuba.
YOU_ser_: Das Jarhundert des Konsumenten (curated by: Peter Weibel), Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany.
Conjugaciones: Arte Contemporáneo Latinoamericano en la Colección FEMSA (curated by: Miriam Kaiser), Museo de los pintores Oaxaqueños, Oaxaca, Mexico.
5 Solos, Galería OMR, Mexico City, Mexico.
White Tie & Tiara Charity Ball, Elton John AIDS Foundation, London, UK.

2008
Maquinas y Almas – Souls and Machines (curated by: Montxo Algora and Jose Luis de Vicente), Museo Nacional Reina Sofía, Madrid, Spain.
Haunch of Venison Gallery, New York City, NY, USA.
Asedio (curated by: José Luis Barrios), Museo Universitario de Arte Contemporáneo, Mexico City, Mexico.
Emergentes (curated by: José-Carlos Mariategui), Centro Fundación Telefónica, Lima, Peru.
Emergentes (curated by: José-Carlos Mariategui), Espacio Fundación Telefónica, Buenos Aires, Argentina.
Fortunate Objects (curated by: Cecilia Fajardo Hill), The Cisneros Fontanals Foundation in Miami, Miami, FL, USA.
In Memoriam Albert Hofmann (curated by: Michel Blancsubé), Laberinto de la Ciencia y Las Artes, Jumex Collection, San Luis Potosi, Mexico.
Intruders (curated by: Mélanie Boucher), Musée national des beaux-arts du Québec, Québec City, Québec, Canada.

LOOP ’08, Galerie Guy Bärtschi, Catalonia Ramblas Hotel, Barcelona, Spain.
No es Neutral (curated by: Felicitas Rausch), La Tabakalera, International Contemporary Culture Centre, San Sebastiàn, Spain.
Phantasmagoria: Specters of Absence (curated by: José Roca), Salina Art Center, Salina, KS, USA.
Phantasmagoria: Specters of Absence (curated by: José Roca), Fisher Gallery, University of Southern California, Los Angeles, CA, USA.
Phantasmagoria: Specters of Absence (curated by: José Roca), The John and Marbe Ringling Museum of Art, Sarasota, CA, USA.
Phantasmagoria: Specters of Absence (curated by: José Roca), McColl Center for Visual Art, Charlotte, NC, USA.
Prospect.1, New Orleans Bienniale (curated by: Dan Cameron), NOMA Museum, New Orleans, LA, USA.
Synthetic Times – Media Art China, A Beijing Olympics Cultural Project (curated by: Zhang Ga), National Art Museum of China, Beijing, China.

The Art of Participation: 1950 to now (curated by: Rudolf Frieling), San Francisco Museum of Modern Art, San Francisco, CA, USA.
The Fifth Floor: Ideas Taking Space (curated by: Peter Gorschlüter, Lindsey Fryer and the people of Liverpool), Tate Liverpool, Liverpool, UK.
The Prisoner’s Dilemma (curated by: Leanne Mella), The Cisneros Fontanals Foundation in Miami, Miami, FL, USA.
Turn and Widen, 5th Seoul International Media Art Bienniale (curated by: Raul Zamudio), Seoul Museum of Art, Seoul, South Korea.
YOUniverse, 3rd International Bienniale of Contemporary Art (curated by: Peter Weibel, Marie-Ange Brayer and Wonil Rhee), Centro Andaluz de Arte Contemporáneo de Sevilla, Sevilla, Spain.
New Zealand Festival, Te Papa Museum, Wellington, New Zealand.

2007
E-art (curated by: Jean Gagnon), Musée des beaux-arts de Montréal, Montréal, Québec, Canada.
The Cisneros Fontanals Foundation, FL, Miami, USA.
Auto Emotion (curated by: Gregory Burke), Power Plant, Toronto, Ontario, Canada.
Automatic Update (curated by: Barbara London), Museum of Modern Art, New York City, NY, USA.
Emergentes (curated by: José-Carlos Mariategui), The Laboral Art Center, Gijón, Spain.
Floating Artworks (curated by: Bruce Ferguson), TD Centre, Art Gallery of Ontario, Toronto, Ontario, Canada.
Lines of Flight (curated by: Celina Jeffrey), LEF-CAAC, Hunter College, New York City, New York, USA.
Phantasmagoria, Specters of Absence” (curated by: José Roca), ICI, Biblioteca Luis Angel Arango, Bogotá, Colombia.
Collective One, Galerie Guy Bärtschi, Geneva, Switzerland.
Huge, Artcore Gallery, Toronto, Ontario, Canada.

2006
Caleidoscopios (curated by: Gustavo Romano), Centro Cultural de España en Buenos Aires, Buenos Aires, Argentina.
Forms of Classification: Alternative Knowledge and Contemporary Art (curated by: Cecilia Fajardo-Hill), The Cisneros Fontanals Foundation in Miami, FL, Miami, USA.
Plataforma (curated by: Priamo Lozada), Fábrica La Constancia, Puebla, México.
Pre-Emptive (curated by: Philippe Pirotte), Kunsthalle Bern, Bern, Switzerland.
Scrabble (curated by: Álvaro Rodríguez Fominaya), Centro Atlántico de Arte Moderno, Las Palmas, Spain.
Zones of Contact (curated by: Charles Merewhether), Biennale of Sydney, Art Gallery of New South Wales, Sydney, Australia.
Volta, Galerie Guy Bärtschi, Basel, Switzerland.
Electrohype, Malmö, Sweden.
Levinas: Ethics of Encounter, McGill University, Montréal, Québec, Canada.
Only the Paranoid Survive, HVCCA, Peekskill, NY, USA.

2005
Subsculptures, Galerie Guy Bärtschi, Geneva, Switzerland.
Dataspace (curated by: Priamo Lozada), Laboratorio Alameda, Mexico City, Mexico.
Art Meets Media (curated by: Yukiko Shikata and Fumihiko Sumitomo), NTT InterCommunication Center (ICC), Tokyo, Japan.
bitforms Seoul, Seoul, South Korea.
The Cisneros Fontanals Foundation, Florida, Miami, United States.
Centro cultural de España, Mexico City, México.
Algorithmic Revolution (curated by: Peter Weibel), Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany.
Salón Bancomer (curated by: José Luis Barrios, José Springer and Sylvia Navarrete), Museum of Modern Art, Mexico City, México.
MUSAC (curated by: Agustín Perez Rubio and Rafael Doctor), León, Spain.
In the Line of Flight, Tsinghua University, Beijing, China.
Dataspace Exhibition, Conde Duque Art Center, Madrid, Spain.

2004
Techniques of the Visible (curated by: Xu Jiang, Sebastián López, Shengtian Zheng and Zhang Qing), Shanghai Biennial, Shanghai Art Museum, Shanghai, China.
Navigator exhibition (curated by: Jun-Jieh Wang), National Taiwan Museum of Fine Arts, Taichung, Taiwan.
Society for Arts and Technology (SAT), Montréal, Québec, Canada.
LA MOCA (Digital Gallery) (curated by: Alma Ruiz), CA, Los Angeles, USA.
LOOP, Galería Metropolitana, Barcelona, Spain.

2003
Critical Conditions (curated by: Tim Druckrey), Wood Street Gallery, PA, Pittsburgh, USA.
Ill Communication (curated by: Rob Tufnell), Dundee Contemporary Art, Dundee, UK.
Paris Photo (curated by: Daniela Franco), Statement Project Room, Paris, France.
Radiant City Exhibition (curated by: Achille Bonito Oliva), Fundación Bancaja, Valencia, Spain.
Open New Designs for Open Space, Van Alen Institute, NY, New York City, USA.

2002
Cibervisión 2 (curated by: Karin Ohlenschläger), Conde Duque, Madrid, Spain.
Egofugal (curated by: Yuko Hasegawa), 7th International Istanbul Biennial, Istanbul, Turkey.
Emoçao Art.ficial, Itau Cultural, Sao Paulo, Brazil.
Resonancias, Observatori, Valencia, Spain.
6th International Festival for Architecture in Video, Florence, Italy.
Ars Electronica Festival, OK Centrum, Linz, Austria.
E-phos Festival, Athens, Greece.
Sapphire ’02, Atlantico Pavillion, Lisbon, Portugal.

2001
Interactiva ’00, Museo de Arte Contemporaneo, Mérida, México.
MAD ’01, Ifema, Madrid, Spain.
Media Arts Festival, Tokyo Metropolitan Museum of Photography, Tokyo, Japan.
Net.artmadrid, ARCO, Madrid, Spain.
Istanbul Biennial, Istanbul, Turkey.

2000
Art electrònic a Espanya (curated by: Claudia Gianetti), Sala d’Exposicions de la Caixa de Sabadell, Sabadell, Spain.
Yo y mi Circunstancia (curated by: Paloma Porraz and Guillermo Santamarin), Musée des Beaux-Arts, Montréal, Québec, Canada.
Centro de Arte Contemporáneo Wifredo Lam (curated by: Ibis Hernández Abascal, Nelson Herrera Ysla and Magda Gonzalez), “7th Bienal de la Habana”, Havana, Cuba.
File, Museum of Image and Sound, São Polo, Brazil.
Mediaterra 2000, Fournos Center, Athens, Greece.
Splitski Filmski Festival, Split, Croatia.
Ars Electronica Festival, OK Centrum, Linz, Austria.
International Festival for Architecture in Video, University of Florence, Florence, Italy.
Next Festival, Karlstad, Sweden.

1999
Medienkunstpreis 2000, ZKM, Karlsruhe, Germany.
Art Futura Festival, Sevilla, Spain.
Interactive Urban Landscapes, Copenhagen, Denmark.

1998
Image architettura in movimento, Torino, Italy.
Lo Mejor de los dos Mundos, Cuenca, Italy.
Festival de Video de Navarra, Pamplona, Spain.
Viper ’98 webart selection, Lucerne, Switzerland.

1997
Arte Virtual, Realidad Plural, Museo de Monterrey, Monterrey, México.
Remote Sensations, Ars Electronica Festival, Linz, Austria.
Festival Internacional de Info-arquitectura, MOPU, Madrid, Spain.

1996
Nova Scotia Community College, Halifax, Nova-Scotia, Canada.
Apple Computer, Cupertino, California, United States.
Actual ’96, Logroño, Spain.
Art Futura Festival, Sevilla, Spain.

1995
ARCO ’95, Fundacion Arte y Tecnologia, Madrid, Spain.
The External Interior (Interactive Spectator), Ex-caotica group show, Galeria Cruce, Madrid, Spain.
European Media Art Festival, Osnabrück, Germany.
Forskningscentrum fur Informatik, University of Karlstad, Karlstad, Sweden.
Infografía en España series, Museo Nacional Reina Sofía, Madrid, Spain.
Theater, Music, Dance and New Technologies, Torino, Italy.

1993
Akademie der Bildenden Kunste, Nuremberg, Germany.
ARCO ’93, Madrid, Spain.
En-red-arte, Círculo de Bellas Artes, Madrid, Spain.
Tomorrow’s Realities, SIGGRAPH’93, CA, Anaheim, USA.
2!M VR Exhibition, Comunidad de Madrid, Madrid, Spain.

1990
The Dances Answer Questions, Banff National Park, Banff, Alberta, Canada.

Residencies and Workshops

2003
HUMO workshop, Interfacing realities master class, AEC Linz, Austria.

2000
Karlstad University, Sweden.

1999
SAGAs writing interactive fiction, Munich, Germany.

1994
Centro Nacional de las Artes, Mexico City, Mexico.

1993
Complutense University of Madrid, Madrid, Spain.

1990
Banff Centre for the Arts, Banff, Alberta, Canada.

Grants and Awards

2012
Joyce Award, The Joyce Foundation, Chicago, Illinois, USA.

2011
Knights Arts Challenge for Open Air, PA, Philadelphia, USA.
National Endowment for the Arts grant for Open Air, Washington, D.C., USA.

2005
BAFTA British Academy Award for Interactive Art 2005, London, UK.

2003
Artist/Performer of the year, Wired Magazine Rave Awards, CA, San Francisco, USA.
Best Interactive Installation, HorizonZero, Banff, Alberta, Canada.
Foreign Affairs ACA Grant, Canada.
Production grant from the Daniel Langlois Foundation, Montréal, Québec, Canada.
Rockefeller-Ford Fellowship, NY, New York City, USA.
Trophée des Lumiéres, Lyon, France.
World Technology Network Award for the Arts, CA, San Francisco, USA.

2002
BAFTA British Academy Award for Interactive Art 2002, London, UK.
Gold Award, Interactive Media Design Review 2002, I.D. Magazine, USA.
Interactive Art Distinction, Ars Electronica 2002, Linz, Austria.
International Bauhaus Award 2002, 1st Prize, Dessau, Germany.

2001
Jury member, Fondation Daniel Langlois, Montréal, Québec, Canada.
Media Arts Grant, Canada Council for the Arts, Canada.

2000
Distinction, SFMOMA Webby Awards 2000, CA, San Francisco, USA.
Excellence Award, Media Arts Festival 2000, CG Arts, Tokyo, Japan.
Finalist, Medienkunstpreis 2000, ZKM, Karlsruhe, Germany.
Interactive Art Golden Nica, Ars Electronica 2000, Linz, Austria.

1998
Interactive Art Honorable Mention, Ars Electronica 1998, Linz, Austria.

1996
Best Installation, Interactive Digital Media Awards 1996, Toronto, Ontario, Canada.

1995
2nd Prize, Cyberstar, Köln, Germany.
Interactive Art Honorable Mention, Ars Electronica 1995, Linz, Austria.

1994
Canada Council Computer Integrated Media Grant.

1993
Equipment Grant, Communications Canada.
Travel Grant, ICEX España.

1992
Travel Grant, External Affairs Canada.

1991
Bourse circulation, Ministère des Affaires culturelles du Québec.
Canada Council Touring Office Grant.
Canadian Consulate Grant, NY, New York City, USA.

1990
Canada Council Computer Integrated Media Grant.

Collections

21st Century Museum of Contemporary Art, Kanazawa, Japan.
Amore Pacific Museum of Art, Seoul, South Korea.
Art Gallery of Ontario, Toronto, Ontario, Canada.
Art Stations Foundation, Poznan, Poland.
ATT Collection, Dallas, Texas, USA.
Borusan Contemporary, Istanbul, Turkey.
Caisse de dépôt et placement du Québec, Montreal, Quebec, Canada.
Centro de Arte Dos de Mayo (CA2M), Madrid, Spain.
The Ella-Fontanals Cisneros Fontanals Art Foundation, Miami, Florida, USA.
Colección de Arte de la Comunidad de Madrid, Madrid, Spain.
Daros Foundation, Zürich, Switzerland.
FEMSA Collection, Monterrey, Mexico.

Fidelity Collection, Boston, Massachusetts, USA.
FRAC Collection Aquitaine, Bordeaux, France.
Fundación Telefónica, Madrid, Spain.
Gelman Collection, Cuernavaca, Mexico.
Jumex Collection, Mexico City, México.
Manchester Art Gallery, Manchester, Canada.
MUAC, Mexico City, México City.
Musée d’art contemporain de Montréal, Montréal, Québec, Canada.
MUSAC, León, Spain.
Museum of Modern Art, New York City, New York, USA.

Museum of Old and New Art, Hobart, Australia.
NC Arte, Bogotá, Colombia.
North Carolina Museum of Art, Raleigh, North Carolina, USA.
SAC Capital, Connecticut, USA.
Sammlung Alison & Peter W. Klein, Eberdingen-Nussdorf, Germany.
Singapore Art Museum, Singapore, Singapore.
Sorigue Foundation, Lleida, Spain.
Speyer Family Collection, New York City, New York, USA.
Tate Collection, London, United Kingdom.
Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany.